bluejay

                             8x8

I think perhaps I should have left enough space on the bottom for the picture to contain the jay's whole body, even if we can't see it.

short-eared owl

                                                                    10x12

Last night's bird in class with SaltyWaterArt. I rushed a bit as I got to class late. The Owls we are painting this month all have such lovely patterns in their feathers. Would like to try this one again, looser, wetter.

back in nj

My friend Robin came back to NJ with me after camping for a short visit.

One day we went to one of old high school haunts, Higbee Beach, for a little sketching.

classwork

                          10x14

Taking an online watercolor class with Michele Clamp, my second; I first noticed Michele's work on her FB page Painting Colorful Birds for Fun. She has some videos on YouTube you can view.

I feel like this painting looks better from far away, unlike most of my paintings!

Michele focuses on figuring out the colors, chroma (how much the color leans toward neutral), and value ahead of time.

It's a good practice: slows you down a bit, helps you get in the mindset... and once you have it figured out, the painting goes more quickly.

barn owl

8x8

Painted in class with SaltyWaterArt; we're painting owls in October. 

I really enjoyed painting this barn owl: this is one of my favorite limited palettes--in fact each room in my house is one of these colors, from sandy beige to taupe to dark brown to blue!

I also like painting wet.

assateague

Once again we intended to paint or draw every day while we were camping at Assateague National Seashore but didn't do as much as we thought we would.

These are all views from our campsite.

melo

Started a portrait of one of my cats. He looks grumpy-- something wrong around the mouth ... but I'll have to leave it here until I get back from camping!

sketchbook page

Drawing from a photo I took in the beautiful town of Wilmington, Vermont. My friend Gina and I stopped in Wilmington on our way home from Susan Abbott's workshop in Marshfield; we had driven through on our way up and decided to stop on the way back. It was a Thursday and not much was open on the main street, but the bookstore was, which Gina and I were delighted about! Browsing in an independent bookstore is a too rare treat.

dpw challenge: sunflowers

                              10x15

Sometimes I forget about paintings I've painted. This one is from 2020! Found it in my "drafts" folder ... I must not have been happy with it back then, but coming on it again I like it.

b&w

                            6x6

A little black and white practice on Bristol paper, inspired by artist Scott Espeseth, who spoke to a class I'm in. He trained as a printmaker and works in pencil and watercolor, which he pointed out are more congenial when working from a home studio.

This is a rather wonky drawing of a bottle opener, painted rather sloppily!

It's metallic though and I'd like to do a more detailed and thoughtful, and larger!, version delineating all the reflections.

croquis

I've been looking at Diebenkorn's figure drawing and paintings. So beautiful they make my heart hurt.

I have attempted life drawing a few times over the years-- these drawings are from sessions last winter-- with very limited success. It's hard to find a congenial group. Even harder to find models.

And this week's DrawingIsFree.org session: I only stayed for the first three poses ... Wasn't feeling it this week, obviously!

peregrine falcon

                           11x15

A peregrine falcon painted in class with SaltyWaterArt.

Ronna also teaches online classes through the Portland Audubon.

sketchbook page

A little sketch made from a photo my friend Gina took when we were in VT. This was at a distillery in Barre.

Looking around the house for still life objects.

annapolis

                           10x12

More experimenting in the style of Charles Demuth.

This was a tremendous learning experience for me.

I think mainly in that I had to be more deliberate than I customarily am. For one, I had to let things dry! Which I did not always succeed in doing! 

I noticed that Demuth makes his shadows and "fractures" another value of the underlying color-- eg, not blue or violet.

The most intriguing mind game was deciding where to drop the lines ... nervewracking since the painting was pretty much done! In future I think I'll xerox my drawing and try out different ways to intersect the scene on them.

Of course, I see a problem, or two, but overall this was a fun challenge, involved a lot of thought, even obsession, and I'm pretty pleased.

plein air: Atlantic avenue

                             11x12

A little plein air painting this a.m. with a few friends.

Didn't get out much this summer; hope to make up for it this fall!

sketchbook page

The beautiful dunes of Cape Henlopen, DE.

If the republicans shut down the government on 10/1 our annual camping trip will be moved from Assateague National Seashore to the state park at Cape Henlopen.

I'll miss Assateague, but DE beaches are a pretty good consolation.

"of the January sun"

                          11x15

We have been looking at Charles Demuth in one of my art classes, and our assignment was to try his techniques.

I selected a photo I had taken in Lewes, DE, and cropped it down to just roofs.

When I did my drawing, below, I thought it needed something ...

Then looking through my Demuth books I saw his painting Trees and Barns, Bermuda (1917), which has all these barely-painted tree trunks appearing and disappearing.

I added a few trunks to my drawing but really could not get the speckled quality his trunks had; nor could I make the ends of my branches just fade away as he does!

The plan was to blot the washes, like Demuth does--but I discovered it was very hard (in fact I wasn't able to do it at all!) to achieve the effect he gets. My washes were too wet or too dry!

I wish I hadn't gotten so dark with some of my midtones and that I had left more white.

We'll see what my classmates say Tuesday!

is it done?

                             7x11

Is it done? Sadly it's already overworked--and the perspective on the dock is wonky--but I don't think it is finished. Unhappy with the foremost piling, and the shadow.

May be fixable, or I can think of this one as practice.

manifesting ponies

For the past 5 years my brother and I and our dear friends have camped at Assateague National Seashore in October.

This year it looks like the Republican idiots in Congress may foil our plans.

The news is all bad, so I painted this to manifest some positivity!

Rene PleinAir has kindly informed me that comments to my posts are being blocked; working on fixing it. Thanks, Rene!

thumbnail sketches

Really enjoying thumbnails of late.

I divide the format in 4 and start drawing, trying not to lift my pencil from the page, which seems to encourage a more exploratory, less error-correcting mindset.

To me, these drawings have an appeal in themselves, but I find them even more intriguing as a step in a process.

more trees

I painted this from a photo I took in FL of a palm tree with a traveler vine around it.

This photo was taken near my house. It reminded me of some Cezanne paintings, which really influenced this painting.

trees

Got out a couple of photos I've taken of trees to practice on.

Could both use more darks I think.