This week's bird for Facebook's Paint Colorful Birds for Fun is the Southeast Asian silver-eared mesia.
In the first one, composed this little group from different reference photos. I'm trying to add some surroundings too.
These were both painted on cold press paper; I think I'd like to try them on hot press.
More of the Laysan albatross for Facebook's Paint Colorful Birds for Fun.
I can see I need to darken the foreground albatross's back feathers ...
After reading a post on Vandy Massey's blog that featured a couple of her watercolor journal pages, I pulled out one of the many sketchbooks I have bought with the idea of keeping my own journal but that, until today, have gone unused. I now have so many paints, pencils, pens, etc. that I'm overwhelmed. A little empirical knowledge can only help.
I had, last fall, started a little picture of a pine cone in this sketchbook--which I really like: nice size, nice paper; the sketch was pretty weak, no darks. I happened to have these Pitt markers on my desk, and started filling in ... It's the best pine cone I've ever drawn!
What a beautiful bird! Common to southeastern Australia ... so lucky me to have the Internet and see a bird I'd never see otherwise.
Went on a bird walk Monday with the local Audubon group and saw my first flicker and just missed seeing my first cedar waxwing; they're here, I just never see them! Also saw, among many other kinds--gadwalls, wigeons, mallards--two beautiful ducks: hooded merganser and ring-necked duck.
I want to thank Rhonda for asking me to join in the world blog. Rhonda and I have some things in common in our art, a desire to learn and birds!
Rhonda and I had a chance to meet and spend some time together, painting and having fun, at a Carol Carter workshop, during which Rhonda, in addition to everything else she had to do, took care of me too, picking me up the airport, getting me to my hotel ... I even got meet her Sweetie!
So, here are my answers to the blog hop questions.
1. What am I working on? I'm working on working. I started my blog because I figured it'd keep me painting, and I hoped that, if I kept at it, I'd grow.
2. How does my work differ from others of its genre?
This is not something I give much thought to. Like Rhonda, I paint for myself. And am maybe just beginning to realize what a wonderful luxury that is. I'm not particularly interested in being "different"--or in not being different--I just enjoy the actual painting: putting the paint on the paper and seeing what it does. Of course, I'm happy to get something I like, but I've found that feeling doesn't last long, so I try (with varying success) to concentrate on the doing, which is always good.
3. Why do I create what I do?
That's a tough one. Subjects catch my eye or interest me, or I will be inspired to try a technique or subject by another artist's work. I get too caught up, a lot of the time, in representation, but I try to remind myself, as I read in a Hazel Soan book, that no matter the subject, the painting is about the paint. I'm in awe of artists who make a serious study of the paint itself, and find I am not methodical enough to undertake such a study ... Each time I paint it's like learning all over again. I never seem to know what I'll get!
4. How does my creative process work?
My creative process is not a good worker! It's often tardy and somewhat lazy and may be a little schizophrenic. Seriously, I don't think I have a process. Sometimes I draw first, other times not; sometimes I paint alla prima, sometimes I glaze; sometimes I paint on location, sometimes at my desk. Maybe it depends on the subject, or on how much time I have, or on my mood? I don't think I'm very process-oriented. I'm a bit more willy-nilly. It's just something I want to do.
Now I'm supposed to bring in two more bloggers ...
But I'm sorry, I have to postpone that bit for a bit. My computer's in the shop and I'm composing this on my iPad mini! (I had put most of this post together before the computer went out.) I hope you understand I am not up to undertaking all that navigating on my iPad!But, in the meantime, I'd like to mention the blogs of artists I've been following longest, from when I first began blogging, like the Red Shoes, A Sketch in Time, Mineke Reinders, and Barbara Paints (all in my blog roll). Through their blogs (and others, a couple of whom are no longer posting and who I miss), my experience of the blogosphere expanded and I found--and continue to find--the many other artists and bloggers who inspire and encourage me and who provide such a wonderful atmosphere in which to blog.
This is from a photo I found on Paint My Photo ... I was drawn to the very limited palette. I tried breaking the image down into 5 values, then started painting with the second-lightest value (the 1st is the paper).
I used Bleed-Proof White for the snow on the trees.
Just a little practicing ... I love the neutral color of the trunks: I started with a light wash of yellow, added a bit of a cool, transparent red; then a touch of cerulean, and mixed it together just a bit.
I've spent most of the year reading World War I histories--The War That Ended Peace and To End All Wars (still have Catastrophe 1914 and Sleepwalkers to read!)--a depressing thing to do; it makes you very sad for humankind. Today's a day for remembrance.
Two more drawings for Sketchbook Skool. I'm trying to figure out a little setup that I can, in a challenge I'm doing with a friend, draw or paint 20 times. My friend has already completed about five paintings, and I haven't decided on the setup yet!